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Thursday, June 5, 2008

REVIEW: FLOWERS TO HIDE - DOWN THE STAIRS EP

OK! So, before we begin talking about Flowers to Hide's most whips debut EP (hah, or released recording of any kind, actually - more on that later), we feel like we have to take a second out and buffet like Warren the inevitable criticism which we feel members of The Caprolites will subsequently bestow on us for doing so. For those who aren't avid moment-by-moment readers of this blog or the Hands Up Houston board, a little background. Last Friday we recommend a show in Pasadena, and, having been rather immersed in the Caprolite's Grey Ghost EP at the time and, noticing they were on the bill, made a little joke about the number of words involved in their description of where the event was located vs the number of words in an average Caprolites song. They were not impressed. And they took the opportunity to very publicly state that we were "crappy" and "sucked Flowers to Hide's dick" every chance we get. It may even have been them that went on to say that we "don't even do anything."   Now, we're not really sure where this animosity towards the hidden men of pedals comes from, and we may indeed do very little and be very crappy at it, but, we thought it was only fair to take a few minutes to go back and look at our coverage of the band this year and see if the Caprolites were right.

Turns out, in 2008, we've only done a single post about Flowers to Hide, back in March when they leaked some tracks to the EP we swear we will get to reviewing in a few paragraphs or so. This is in spite of the fact that our dictatorial Supreme Editor was once in a band with F2H's Mike, and count both he and recently barbered front-man Stephen as friends. We have broke bread with them. The Caprolites, on the other hand, have gotten much more generous coverage from us this year. Not only did we talk about their show last week, above, but we also did an OTHER NEWS link to the announcement of their Grey Ghost on May 18th. Twice as much is twice as much. Also, if you do a google search for "flowers to hide houston," you'll find that The Skyline Network doesn't even come up until the bottom of the sixth page of results, but if you do one for "caprolites houston" we come up third, right after hands_up and their myspace, and before pages and pages of results about manure. Add to that the fact that their third-time-mentioned Grey Ghost has long been on our editorial calendar for next week's GARAGE WEEK OF REVIEWS OF ROCK (oops - cats out of the bag on that one - see, you already have something to look forward to next week).

We guess what we're trying to say is that, in spite of The Caprolites' assertions to the contrary, we are not on Flowers To Hide's jock: we are on theirs. We apologize to our friends in Flowers to Hide for being derelict in undeserving favoritism towards them, and we promise to do better starting now - because let's face it, with this recording, they've earned it.

Flowers to Hide has been around for about seven years. Since Houston bands age in dog years, that makes them nearly middle age, but yet Down the Stairs is the first set of recordings they've ever done that will get the packaged, artifact release. Previous attempts, though studio recorded and mixed, didn't slice the Sandwich Pal and so were consigned to obscurity in a MySpace player, never to do anything but serve as a stop-gap to give people a feel for what they were doing with themselves. In a world cluttered with unmixed demos rushed to the ears of anyone that might listen, this is quite a statement. And it should say something about the fact that they are finally putting something out.

Down the Stairs was recorded by Steve Christiansen at Sugar Hill Studios and it sounds absolutely brilliant, shimmering and kinetic. This record sounds like nothing to come out of Houston in years; full bodied, swaggering without staggering while both delightfully un-ironic and un-pompous. It's a full wall of sound, stocked with a sedimentary system of sonic textures so deep that an almost wasteful amount of its nuance is lost if not given the good speakers/headphone treatment. We stick by our earlier assertion that we're reminded of early Ride when we hear this record, in that it completely envelopes you with cumulus guitars that flood your surroundings like the noise of the cityscape flooding into the open windows of a punk rock BMW barreling down the highway.

Yet in spite of the prominence of the guitars, these songs (there are, sadly, only three and a musical interlude), don't really ever coalesce around massive six string hooks or wonky guitar solos. Indeed, the leads are skimpier on notes than a BB King solo and the songs are surprisingly drum and bass driven. They're fast, and they're 100%: no one is playing slow enough to look at their shoes.

Plenty of bands (Anglo and stateside) have mastered psychedelic fullness, but few do it with the pop sensibilities of Ride and no one sporting a 713 ringtone does it like Flowers to Hide. The comparison isn't perfect, as Ride swings a hammer and F2D stabs with a knife, but you get the idea, and you get why even for never having mounted a tour or having a cohesive set of demonstrational tapes to throw about they find themselves frequently on the bill with Cheel-gazers like the Black Angels and Serena Manesh. Dig.

Down the Stairs is slated for a 'proper packaging' release later in the year, but since they're going to start selling more crafty copies of the EP at their shows starting Friday, we thought we'd give it a nod here and now (they're doing the limited home-style release to raise money for the proper pressing, afterall). They don't play very often, so if your Friday's not already stretched too thin, swing by their show at Rudyards and pick up a copy. Highly Recommended.

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Tuesday, March 18, 2008

FLOWERS BLOOM ON NEW EP


So Flowers to Hide have been around since, what, 2001 or so? And do you have their record? No. Cause they haven't put one out yet. Granted, they've been seemingly on-again off-again during the years, and they did do some recording earlier on in their life. But NOTHING like their forthcoming (and still tentatively named) 503 ep, which they recently wrapped-up recording at Sugarhill studios. And, presumably for a limited time while they bother themselves with things like artwork and reproduction and packaging, they've got the entire thing up for your streaming pleasure on their MySpace page.

503 takes the sometimes cold, nearly always bummed-out and rarely temperature-rising recent trend towards shoegazing and paints over the cold blue with a fresh coat of red and orange. In spite of the recent standout tracks in this direction locally, only Flowers to Hide seem to have remembered that some of the hottest jams ever to come out of Space City were recorded by dudes who packed their videos full of hot rods. The ep combines the largeness and fetish for effects of early Ride with the danceable tempos of New Wave and the anti-hookism of post-punk.

Flowers to Hide don't have a show scheduled till May, so hearing their reborn sound on record will have to do for now. Helluva substitute. Recommended.

Stream: Flowers to Hide - 503 ep

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Tuesday, October 23, 2007

FLOWERS TO HIDE SEEK BASSIST


ATTN BASSES LOADED: BROTHERS, CAN YOU SPARE A GUY? Can you? Cause on of our local favs, the long playing, hard working, favorably influenced and soon-to-be-finally-record-releasing brawlers known as Flowers to Hide have parted ways with their longtime fletcher of the fours, Michael Waller. According to a blog post, he parted to pursue other things, and now the man-down invokers of the mary chain are looking to fill that role with someone who meets some pretty basic requirements: has gear; can play; rocks right. Presumably, you should not suck as an individual either, but we know from experience that it's impossible for a bassist to do so, such is our nature no matter how many glass lighting installations one punches into oblivion. So, if you're down for teaming up with some chill guys who has spent the year opening up for folks like the Black Angels, Serena Manessh, Vietnam and The Warlocks, drop em a note and bring the party attitude. Tuff.

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Wednesday, August 22, 2007

NEW FLOWERS TO HIDE: 'SOMETIMES MAYBE NEVER'


Oh man, you know when you go to the rollerskating rink and you get your trusty four-bangers on and are making the loop around, slowly increasing both confidence and speed until you're pretty sure you can do that little move where you put one skate behind the other to increase your bad-assitude and speed through the turns and suddenly the girl in the epic tube socks is taking note and you grab her hand for couples skate and you're high on Dr. Pepper and candy and then you're favorite skating song comes on over the sound system and you are skating faster than the curve of the Earth and you're doing the gladness face to God and the beats are so hard and the guitars so big and the bass thicker than the shag in the egress area and you go home to play a tape of said jam that you recorded off the radio on your little mono tapedeck... and it sounds just like crap in comparison? That feeling - thats kind of how Flowers to Hide struck us forever. No disrespect to them or anyone who has worked the knobs while they've been on the other side of the glass - but their previous recordings just couldn't do the live act justice (and, as an act, they've added madder and madder chops over the years).

WELL NO MORE - THEY FINALLY NAILED IT. F2H has been in the studio working on tracks for an upcoming EP, and the first leak, a big gazin' banger called 'Sometimes Maybe Never' is our favorite track of their's yet, and a reminder why you're blowing it if you haven't caught them since they starting revin' up the past year or so. Like what you hear? Get a bigger taste Thursday night at The Meridian as they share a bill with Astral Heights, The Rouges and Tody Castillo. SHIMMERY SHINY SHEBANG!

Stream:
Flowers to Hide - Sometimes Maybe Never

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Wednesday, March 21, 2007

FLOWERS TO HIDE: ALL UP IN THIS BUCKET OF CHICKEN


Flowers to Hide is a wicked hard band to write about. We suspect that more than a little of that has to do with the fact that TSN’s Publisher and Chief Executive was once in a band with guitarist Mike San Luis. When you rock that closely with someone and spend hours on a shabby little couch in continuous utter awe of what they write and how they play it, the tendency is to quickly crash and burn into a zone of Bruce Dickenson-esque hyperbolics that manifests in phrases like “he doesn’t play guitar, he plays gold records” and “you call it a mustache, we call it a hit machine.”

But no, Flowers to Hide does not have a hit, let alone a machine full of them. And likewise, they don’t have a gold record (actually, they don’t have any record). We agree with Donewaiting’s assessment that there isn’t really any other band in Houston that sounds like this right now – and haven’t really, as they have been doing this thing for years. And this is odd, because it seems like somehow this shouldn’t be the case, given the rising prominence of whatever label you want to throw on the bucket of chicken that includes acts like Serena Maneesh, The Warlocks, stellastar*, Longwave and the Black Angels – all band’s they’ve played with.

As Brooklyn starts to burp out more and more vans containing more and more copies of Catherine Wheel and Afghan Wigs cassettes in their center consoles, it’s not hard to wonder if this year’s expected release of their long-overdue recordings isn’t expertly timed. In spite of their long tenure in this city, they haven’t stood still musically, and it’s certainly not by default that they’ll be opening up again for the Black Angels tonight (this time in the significantly larger Warehouse Live setting - and with VFW fashion raiders VietNam). Don’t have the scratch? Well, they’ll also be on the Numbers Outside Stage at 2:30 for the Westheimer Block Party Saturday. GET LUCKED!

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Tuesday, February 13, 2007

Last Week in Other News

Repost of our "other news" links from the past week, archived for your eternal pleasure.

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